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July 26, 2023 by Tom Trevor - 0 comments

Horasis talk: Shaping the Contemporary

July 26, 2023 by Tom Trevor - 0 comments

ArtEvolve talk: Climate crisis and the role of the artist

July 5, 2020 by Tom Trevor - 0 comments

The Atlantic / After The Future

November 26, 2019 by Tom Trevor - 0 comments

A New Atlantic

January 5, 2019 by Tom Trevor - 0 comments

The Space of Flows (Bruges Triennale 2018)

August 4, 2017 by Tom Trevor - 0 comments

Port City – Cape Town [Africa Modern, 2017]

August 4, 2017 by Tom Trevor - 0 comments

Lois Weinberger [documenta 14 Daybook]

March 2, 2016 by Tom Trevor - 0 comments

Take Me To The River – currents of the contemporary [Osaka]

February 12, 2016 by Tom Trevor - 0 comments

Franco ‘Bifo’ Berardi – Manifesto of Post-Futurism [Concept Store #2, 2009]

February 5, 2016 by Tom Trevor - 0 comments

Robot-Me: Affective Machines and Object Relations [Concept Store #1, 2008]

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The_Gwangju_Rocks_Surprised
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Erik van Lieshout
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Joseph Beuys, When You Cut Your Finger, Bandage the Knife, 1962
Pierre Huyghe and Philippe Parreneo
Pierre Huyghe and Philippe Parreneo
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Lisa Oppenheim
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Christodoulos Panayiotou
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Michael Lin
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Neil Cummings
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Gerry Bibby
Hito Steyerl
Hito Steyerl
James Lee Byars
James Lee Byars
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Tala Madani
Doris Salcedo
Doris Salcedo
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Photography by Janis Elko
Photography by Janis Elko
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Ayisha Abraham
Ayisha Abraham
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Joelle Tuerlinckx
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Ulla von Brandenburg
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Alexandre Singh
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Cosima von Bonin
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Zineb Sedira
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Photography by Janis Elko
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Angus Fairhurst
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Liu Ding
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Ai Weiwei
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Angela Bulloch
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Hito Steyerl
Lois Weinberger
Lois Weinberger
Hans-Peter Feldmann
Hans-Peter Feldmann
Matti Braun
Matti Braun
Wolfgang Tillmans
Wolfgang Tillmans
Matti Braun
Matti Braun
Michael Rackowitz
Michael Rackowitz
The fatigue Empire
The fatigue Empire
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Matias Faldbakken
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Shannon Ebner
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Heiremanns and Vermeir
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Khadija von Zinnenburg Carroll, Cooks New Clothes (2018)
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Joelle Tuerlinckx
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Cerith Wyn Evans
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Tobias Madison & Emanuel Rossetti
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Aurelien Froment
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Joachim Koester
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Brion Gysin (& William Burroughs)
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Omer Fast
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Louise Bourgeois
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Andrea Fraser, Little Frank and his Carp (1991)
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Ursula Biemann & Angela Sanders
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Runa Islam
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Joëlle Tuerlinckx
The octagonal 'Temple of the Winds' at Bude, North Cornwall, modelled on the 'Tower of the Winds' in Athens, was built by Bude's famous Acland Family in 1840 and moved to the present location in 1880. The headland is now known as 'Compass Point' after the markings of the cardinal and ordinal directions on its exterior walls. It provides a good source of foreground interest in any shot up the coast from here, though the light and drama is rarely as good as in this shot. At low tide an unbroken beach leads all the way up to the sunlit headland; behind it, and greatly foreshortened in this scene, the radar dishes of GCHQ Bude, built on the former WWII airfield of RAF Cleave, lie nearly 8km up the coast. A big Atlantic winter storm was hitting the coast, and it was this that I had gone out to photograph at dawn; I was not aware until I got there that snow had fallen in the night, and was fortunate to get the sun coming through to light it, and the radar dishes, during an all too brief break in the clouds.
The octagonal ‘Temple of the Winds’ at Bude, North Cornwall, modelled on the ‘Tower of the Winds’ in Athens, was built by Bude’s famous Acland Family in 1840 and moved to the present location in 1880. The headland is now known as ‘Compass Point’ after the markings of the cardinal and ordinal directions on its exterior walls. It provides a good source of foreground interest in any shot up the coast from here, though the light and drama is rarely as good as in this shot. At low tide an unbroken beach leads all the way up to the sunlit headland; behind it, and greatly foreshortened in this scene, the radar dishes of GCHQ Bude, built on the former WWII airfield of RAF Cleave, lie nearly 8km up the coast. A big Atlantic winter storm was hitting the coast, and it was this that I had gone out to photograph at dawn; I was not aware until I got there that snow had fallen in the night, and was fortunate to get the sun coming through to light it, and the radar dishes, during an all too brief break in the clouds.

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